Microfone de estúdio Joby JB01775-BWW

JOBY Wavo POD (model JB01775-BWW) is a USB-powered large-diaphragm studio microphone designed to deliver clear, natural voice reproduction for podcasting, streaming and voice-over work. The microphone combines a 20–20,000 Hz frequency response with -36 dB sensitivity and a 16 Ω output impedance, and connects via wired USB with an additional 6.35 mm (1/4") interface for flexible setup. Its ABS and polycarbonate construction in black and red provides a durable, studio-ready appearance.

Advantages

The Wavo POD offers a large-diaphragm capsule for warm broadcast-style sound and high vocal clarity. USB power and wired connectivity simplify setup and compatibility with computers and audio interfaces. The included 6.35 mm device interface expands compatibility with mixers and external gear, while the compact, robust ABS and polycarbonate body is suitable for regular studio use.

Suitable for

• Podcasting and voice podcast recordings
• Live streaming and online broadcasts
• Voice-over and narration work
• Home and project studio vocal recording

Key specifications

• Sensitivity: -36 dB
• Frequency response: 20–20,000 Hz
• Output impedance: 16 Ω
• Connectivity: Wired USB; device interface 6.35 mm (1/4")
• Power: USB-powered
• Materials: ABS and polycarbonate
• Colours: Black, Red
• Model / MPN: JB01775-BWW
• EAN: 8024221721928

How to use

Connect the Joby Wavo POD to a computer or compatible USB host using the supplied cable for power and audio transfer. Position the microphone on a stable stand or boom at an appropriate distance (usually 10–30 cm) from the mouth to capture clear, natural vocals. If needed, connect the 6.35 mm output to a mixer or external preamp for additional routing or monitoring. Adjust input levels in your recording software or on your interface to avoid clipping while preserving dynamics.

Recommendations

For best results, use a pop filter to reduce plosives, monitor with headphones to set gain correctly, and record in a quiet or acoustically treated space. Avoid extreme gain settings; aim for peaks around -6 dB to -12 dB in your recording software.